NewWorLdLog: TVTOWERBLOC

Wednesday 6 October 2010

TVTOWERBLOC

Performer must carry six black and white televisions, with effects-pedal strapped to his foot.
Each television is tuned to a different radio station or AV frequency
Performer carries televisions around the space, depositing each one at a corner of the space.
Each atennae of each television is extended telescopically: depending on the space and the position of the performer and audience in the space, the frequencies will shift in and out of intelligibility and pitch/sonic texture.
Performer continues perfoming around the space, adjusting the televisions one by one.
Performer then selects one television and brings it over to the PA system and plugs in the television into the effects pedal, wired into the PA system and changes the frequency to a radio station of just human speech. RedioBaebel-style voice sounds will be heard. Performer works with the volume of the PA system to adjust soundscape with the rest of the chattering television sets.
Audience are allowed to walk around the space to adjust their hearing and listening of the sounic environment.

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CEP Proposal

Deleuze & Guattari once wrote that “New York is virtually a city without a language...” [from Postulates of Linguistics in A Thousand Plateaus, 1923, pp. 103]. How provocative a statement to make about a city brimming with so many languages, dialects, slang etc. I thought. New York for me has always been, as for so many before me, a city of such artistic prestige and accomplishment, vitality and possibility. It has drawn young artists to its bright lights and wide streets for decades now, and it will continue to. Surely New York is a city without any ‘without’: a city of infinite possibility and opportunity, offering itself to all whom arrive, making them never want to leave, offering everything they need.

But I was too hasty; my argumentative cry against with their provocations would have been quickly silenced, had I read a little further on: “There is no language that does not have intralinguistic, endogenous, internal minorities...” (Deleuze & Guattari, 1923, pp103). But my silence was brought with a smile, with a sense of relief, of assurance. Just as I believe[d], and have argued, New York is a city without a language- without a set, solid and all-conforming ‘language’, but rather a multiplicity of tongue, of variations of the tongue, the lingua franca, of English. New York for me is a prime example of how all languages, exchanged by so many different people from such different places is continually being shaped, changed and modified, mutating every day through common shared discourse and people trying to make sense to each other.

Having been born in one country but then being raised between two countries has brought difficulty when pledging allegiance to either. I have felt neither here nor there, not this nor that. What happens to those who don't feel a part, or feel apart, from their surroundings? They start something new; they seek out new places to live and to start again, afresh. The historical implication of New York City having been built ex nihilo by such a wide group of people(s) having travelled from their Old World in search of the New, ready to build themselves a New life in new contexts has always inspired me to travel and work there, to also become a part of the engagement with the 'new' moving away from the old, the traditional, the conventional, the usual, the obvious. I can see a direct link between this state of mind, towards progression through experimentation, in my journey to art and performance College and my future journey to New York and the USA, to frame my questions around the 'New' within city whose very name and ethos is just that.