NewWorLdLog: Eastern Orthodox Cross vs. The Cross of Lorraine

Thursday 21 October 2010

Eastern Orthodox Cross vs. The Cross of Lorraine

So a while back I began my research into the symbolic and geometric qualities of the Cross of Lorraine, enquring into the Historic significance of its pre-post-modern 'taking' by the Free French Forces in WW2, and its more 'recent' ironic Freemasonic resignification [see previous blog posts],
I feel the cross must once more enter the realm of its symbol of the fight against authority.
TURNOVER THE SYMBOL -> OVERTURN AUTHORITY
Having already overturned the other insidious pyramid of the Snellen eye test, now the cross of Lorraine- a symbol I see everywhere puncture the blue azure of NYC sky; the symbol of the Eastern Orthodox Jewish Church, not to mention the cookie buscuit company Nabisco's symbol of choice.
Everytime I munch an oreo, it's another patriarchal symbol digested.

Here's what I posted to my komradz on FB:

Xiipal Lapiix 21 October at 22:56

Hmm... this could be the perfect time for my first year visual text/john hall knock-off 'Danger of Death/Death of Danger 'poster to go up.. I'll find a copy somewhere and post it later... http://www.proshieldsafetysigns.co.uk/signs/4013_signs.jpg
Meanwhile, I want stickers of an inversed 'Cross of Lorraine' http://www.seiyaku.com/customs/crosses/lorraine.html
to infest the PC with the following re-rewritten Poncious Pilot quote; "Our Kingdom is not THIS World" [from "My Kingdom is not of this world"]
Too satanical? Biblical?
I feel we have a lot to admire the people of Alsace-Lorraine: "The French Resistance groups, and de Gaulle's was called the Forces Francaises Libres (Free French Forces). The cross then also became known as the Free French Cross, the de Gaulle Cross or the Gaullist Cross..."

No comments:

Post a Comment

CEP Proposal

Deleuze & Guattari once wrote that “New York is virtually a city without a language...” [from Postulates of Linguistics in A Thousand Plateaus, 1923, pp. 103]. How provocative a statement to make about a city brimming with so many languages, dialects, slang etc. I thought. New York for me has always been, as for so many before me, a city of such artistic prestige and accomplishment, vitality and possibility. It has drawn young artists to its bright lights and wide streets for decades now, and it will continue to. Surely New York is a city without any ‘without’: a city of infinite possibility and opportunity, offering itself to all whom arrive, making them never want to leave, offering everything they need.

But I was too hasty; my argumentative cry against with their provocations would have been quickly silenced, had I read a little further on: “There is no language that does not have intralinguistic, endogenous, internal minorities...” (Deleuze & Guattari, 1923, pp103). But my silence was brought with a smile, with a sense of relief, of assurance. Just as I believe[d], and have argued, New York is a city without a language- without a set, solid and all-conforming ‘language’, but rather a multiplicity of tongue, of variations of the tongue, the lingua franca, of English. New York for me is a prime example of how all languages, exchanged by so many different people from such different places is continually being shaped, changed and modified, mutating every day through common shared discourse and people trying to make sense to each other.

Having been born in one country but then being raised between two countries has brought difficulty when pledging allegiance to either. I have felt neither here nor there, not this nor that. What happens to those who don't feel a part, or feel apart, from their surroundings? They start something new; they seek out new places to live and to start again, afresh. The historical implication of New York City having been built ex nihilo by such a wide group of people(s) having travelled from their Old World in search of the New, ready to build themselves a New life in new contexts has always inspired me to travel and work there, to also become a part of the engagement with the 'new' moving away from the old, the traditional, the conventional, the usual, the obvious. I can see a direct link between this state of mind, towards progression through experimentation, in my journey to art and performance College and my future journey to New York and the USA, to frame my questions around the 'New' within city whose very name and ethos is just that.