RADIO ZOOT: residue of a city: "i liked the bright lights and the city wide spew, the hustle and the feeling of not fitting in but thats ok, who does, its a mash up a synch...
Under the false pretence of the french collusively working within our language, deconstructing the cities of speech and thought and text, a deceptive translationof of Zoot's text into English, Emperors New Blog, Jedi Mind Trick, Acting, Seld-Denial
leads to¬
I liked the bright lights and the city wide spew, the hustle and the feeling of not fitting in goal thats ok, who faire, its has mash up has synchronized chaos of colour (mostly gray) and sound (mostly traffic). I made it through the underground worming my way through crushes, like has eel up the escalator à emerge into has hubbub, not necessarily where i wished à appear goal so goddam happy à be there anyway, lugging bags and squinting into the wan autumn light at the crumpled underground map. Something about it- the mix, its devastating undeniability - big massive wide solid grind mostly undecipherable now folks in their thousends just rubbing along together now not, barging past head down... Work of art balances roadworks and improvements lost in worth face presentation, big gestures of architecture belonging à the state, the history of has few impacting from all sides 200 stories high. I smile along with has multiplicity of children, newer Londoners, has guest in their city of bright lights and attractions and crazy paving. House sized demanding bill boarding covers over Windows one other people's lives like every ones so busy, and i am too, goal i'd so like à stand and stare because its still amazing the colour -fireworks over primrose hill- and the sound- has thousand languages just babbling, making their worlds go round"
And as dastardly as the prime time first time did it again, gonna keep doing it, Derridean trace test facility via the supercial mechanismé of the internet translator box- appearance is all to these bots, BEWARE our teachers would say, their future lies inches from your understanding and inevitable miscomprehension BEWARE or awe turns that into THIS:
{From the previous, into the supposed, now I reveal my sleeve and unto the chosen volunteer, now read...}
J'ai aimé que les lumières de la ville et la ville large crachent, la bousculade et la sensation de ne correspondant pas à l'objectif cela bien, qui fait, son a la pâte a synchronisé en haut le chaos de couleur (surtout gris) et solide (surtout la circulation). Je l'ai fait par le worming souterrain ma façon par les bousculades, comme a l'anguille sur l'à d'escalator émerge dans a le brouhaha, pas nécessairement où j'ai souhaité qu'à apparaît que l'objectif si goddam à heureux est là de toute façon, les sacs de lugging et louchant dans la lumière d'automne wan à la froissé sous terre carte. Quelque chose de lui- le mélange, son undeniability dévastant - le grand solide large massif meule surtout des indéchiffrable maintenant gens dans leur thousends frottant juste le long de maintenant pas, bousculant ensemble la tête passée en bas... L'oeuvre d'art équilibre des courses sur route et les améliorations ont perdu dans la présentation de visage de valeur, les grands gestes d'architecture qui appartient à l'état, l'histoire d'a le quelques influe de tous les côtés 200 histoires haut. Je souris avec a la multiplicité d'enfants, plus nouveaux Londoniens, a l'invité dans leur ville de lumières de la ville et d'attractions et le pavé fou. La maison a calibré exigeant la facture qui monte des http://www.blogger.com/post-edit.g?blogID=5129824044525905649&postID=8804885723100002066couvertures sur Windows une autres vies des gens comme chaque une si occupé, et je suis aussi, l'objectif que j'aimerais si la position d'à et le regard fixe parce que son calme stupéfiant la couleur -les feux d'artifice sur la colline de primevère- et le son- a mille langues babillant juste, faisant leurs mondes aller en rond
Then back into English:
I liked that the lights of the city and the wide city spit, the crush and the sensation of not corresponding one to the objective that well, that does, his has the dough synchronized in top the chaos of color (especially gray) and solid (especially the circulation). I did it by the underground worming my manner by the crushes, as has the eel on the to escalator emerges in has the hubbub, not necessarily where I wished that to appears that the objective if goddam to happy is there in any case, the bags of lugging and squinting in the light of fall wan to the crumpled under earth card. Something of him- the mixture, his devastating undeniability - the big massive wide solid millstone especially of the indecipherable one now people in their just rubbing thousends alongside now not, jostling together the past head down below... The art work balances races on road and the improvements lost in the presentation of face of value, the big gestures of architecture that belongs to the state, the history of has the some influences of all the sides 200 high histories. I smile with has the multiplicity of children of London newer, invited it in their city of lights of the city and of attractions and the paved crazy. The house gauged exacting bills it that climbs of the covers on Windows another lives of the people as every an if occupied, and I am also, the objective that I would like if the position of and the look sets up because his stunning calm the color -the fireworks on the primrose hill- and the sound- has thousand languages chattering just, doing their worlds to go in round
Laaanguidg is a virus Ooo!
And step, 2, 3,4 turn around!
Le lumières des de que d'aimé de J'ai de la ville et la ville grand crachent, la bousculade et la sensation de l'objectif d'à de pas de correspondant de ne cela bien, qui fait, le fils un la pâte un synchronisé en le chaos du de haut de couleur (surtout gris) et solide (surtout la circulation). Le de pair de fait de l'ai de Je le pair de façon de ma de souterrain de worming les bousculades, le com un Dans d'émerge de l'à de sur de l'anguille un brouhaha du, le souhaité de j'ai d'où de nécessairement de pas si de l'objectif de que d'apparaît de qu'à le là d'est de heureux d'à de goddam de toute façon, les poches de Dans de lugging et louchant la lumière à wan la carte de terre de sous de froissé. Quelque a choisi de lui- le mélange, le fils undeniability dévastant - le grandiose solide grand massif meule surtout du leur de Dans de gens de maintenant d'indéchiffrable le de juste de frottant de thousends longtemps du pas de maintenant, l'ensemble de bousculant la tête passée en diplômes universitaires... Equilibre d'art des cours sur la route et les améliorations ont perdu Dans la présentation du visage de valeur, les grandiose l'état d'à d'appartient de qui de gestes, l'influe de quelques du de l'histoire de tous les côtés 200 histoires haut. Je souris avec un la multiplicité, plus nouveaux Londoniens, un ville de leur de Dans de l'invité de lumières de la ville et et le pavé fou. La maison un calibré exigeant la facture qui monte de l'autres d'une de Windows de sur de couvertures rivalise du si d'une de chaque de com de gens occupé, et je suis aussi, le si de j'aimerais de que de l'objectif la position et la que de parce de fixe d'égard du fils calme stupéfiant la couleur -les feux sur la colline de primevère- et le fils du- un juste de babillant de langues de mille, l'aller de mondes de leurs de faisant en rond
Big Blue Button centered Translate, final time, and: click!
The lights of the of that of magnet of I HAVE city and the city big spit, the crush and the sensation of the objective of no correspondent of not that well, that does, the son one the dough a synchronized one in the chaos of the of top of color (especially gray) and solid (especially the circulation). The of peer of fact of have it of I the peer in a manner of my of underground one of worming the crushes, the com one In of emerges from the to on eel a hubbub of the, the wished of I have from which of necessarily of not if objective of that of appear of that to the there of is of happy one of goddam in any case, the pockets of In of lugging and squinting The light to wan the card of earth of under of crumple. Some chose of him- the mixture, the son undeniability devastating - the grandiose solid massive big millstone especially of the them of In of people of now of indecipherable one it of just one of rub of thousends a long time of the step of now, the body of jostle the past head in university diplomas... Equilibre of art of the courses on the road and the improvements lost In the presentation of the face of value, the grandiose the state of belongs of that of gestures, the influence of some of the history of all the sides 200 high histories. I smile with one the multiplicity of London newer, a city of their of In guest of lights of the city and and the paved crazy. The house an exacting calibre bills it that climbs of the others of an of Windows of on of covers competes of the if of an of every of com of people occupied, and I am also, the if of I would like of that of the objective the position and it that of because of sets up of consideration of the stunning calm son the color -the fires on the primrose hill- and the son of the- a just one of chattering of languages of thousand, to go it worlds of their of fact in round
But wait! The Grande Finale! Yes! People! We have reached a new goal! We have exceeded our gross national limits and have burst vomit thrust to a New World braver, later, neater: A New World English has been born! Observe it's beating limbs before your very prosaic eyes:
{the wool knit tighter under the guise of French, but English, to Spanish, becoming NEW WORLD EINGLIISH}
The lights of the of that of magnet of I HAVE CITY AND THE CITY BIG SPIT, the crush and the sensaciуn of the objectifies of no corresponde of not that well, that hacer, the his one the dough has synchronized one in the caos of the of seсal of color (especially gray) and solid (especially the circulaciуn). The of peer of fact of have it of I the peer in has manner of my of underground one of worming the crushes, the com one In Of emerges from the a one eel has hubbub of the, the wished of I have from which of necessarily of not tejo objectifies of that of appear of that a the there of i' s of happy one of goddam in any puts, The pockets of In of lugging and squinting The light a wan the card of earth of under of crumple. Some thing of him-the mixtura, the his undeniability devastating - grandioso(a) the big maciza solid millstone especially of the them of In of people of now of indecipherable one it of just one of rub of thousends has largo time of the step of now, the leotard of jostle the past head in university diplomas... Equilibrio of arte of the chase one the road and the improvements lost In the presentation of the cara of worth, grandioso(a) the the state of belongs of that of gestures, the influencias of some of the history of all the sides 200 high histories. I smile with one the multiplicity of London newer, has city of their of In Guest of lights of the city and and the paved crazy. The house year exacting gauges bills it that climbs of the others of year of Windows of one of covers competes of the tejo of year of every of com of people occupied, and I am also, the tejo of I would like of that of the objectifies the posiciуn and it that of because of sets up of consideration of the stunning calm his the color-the fires one the primrose hill-and the his of the-has just one of chattering of languages of thousand, a go it worlds of their of fact in asalto
Under the false pretence of the french collusively working within our language, deconstructing the cities of speech and thought and text, a deceptive translationof of Zoot's text into English, Emperors New Blog, Jedi Mind Trick, Acting, Seld-Denial
leads to¬
I liked the bright lights and the city wide spew, the hustle and the feeling of not fitting in goal thats ok, who faire, its has mash up has synchronized chaos of colour (mostly gray) and sound (mostly traffic). I made it through the underground worming my way through crushes, like has eel up the escalator à emerge into has hubbub, not necessarily where i wished à appear goal so goddam happy à be there anyway, lugging bags and squinting into the wan autumn light at the crumpled underground map. Something about it- the mix, its devastating undeniability - big massive wide solid grind mostly undecipherable now folks in their thousends just rubbing along together now not, barging past head down... Work of art balances roadworks and improvements lost in worth face presentation, big gestures of architecture belonging à the state, the history of has few impacting from all sides 200 stories high. I smile along with has multiplicity of children, newer Londoners, has guest in their city of bright lights and attractions and crazy paving. House sized demanding bill boarding covers over Windows one other people's lives like every ones so busy, and i am too, goal i'd so like à stand and stare because its still amazing the colour -fireworks over primrose hill- and the sound- has thousand languages just babbling, making their worlds go round"
And as dastardly as the prime time first time did it again, gonna keep doing it, Derridean trace test facility via the supercial mechanismé of the internet translator box- appearance is all to these bots, BEWARE our teachers would say, their future lies inches from your understanding and inevitable miscomprehension BEWARE or awe turns that into THIS:
{From the previous, into the supposed, now I reveal my sleeve and unto the chosen volunteer, now read...}
J'ai aimé que les lumières de la ville et la ville large crachent, la bousculade et la sensation de ne correspondant pas à l'objectif cela bien, qui fait, son a la pâte a synchronisé en haut le chaos de couleur (surtout gris) et solide (surtout la circulation). Je l'ai fait par le worming souterrain ma façon par les bousculades, comme a l'anguille sur l'à d'escalator émerge dans a le brouhaha, pas nécessairement où j'ai souhaité qu'à apparaît que l'objectif si goddam à heureux est là de toute façon, les sacs de lugging et louchant dans la lumière d'automne wan à la froissé sous terre carte. Quelque chose de lui- le mélange, son undeniability dévastant - le grand solide large massif meule surtout des indéchiffrable maintenant gens dans leur thousends frottant juste le long de maintenant pas, bousculant ensemble la tête passée en bas... L'oeuvre d'art équilibre des courses sur route et les améliorations ont perdu dans la présentation de visage de valeur, les grands gestes d'architecture qui appartient à l'état, l'histoire d'a le quelques influe de tous les côtés 200 histoires haut. Je souris avec a la multiplicité d'enfants, plus nouveaux Londoniens, a l'invité dans leur ville de lumières de la ville et d'attractions et le pavé fou. La maison a calibré exigeant la facture qui monte des http://www.blogger.com/post-edit.g?blogID=5129824044525905649&postID=8804885723100002066couvertures sur Windows une autres vies des gens comme chaque une si occupé, et je suis aussi, l'objectif que j'aimerais si la position d'à et le regard fixe parce que son calme stupéfiant la couleur -les feux d'artifice sur la colline de primevère- et le son- a mille langues babillant juste, faisant leurs mondes aller en rond
Then back into English:
I liked that the lights of the city and the wide city spit, the crush and the sensation of not corresponding one to the objective that well, that does, his has the dough synchronized in top the chaos of color (especially gray) and solid (especially the circulation). I did it by the underground worming my manner by the crushes, as has the eel on the to escalator emerges in has the hubbub, not necessarily where I wished that to appears that the objective if goddam to happy is there in any case, the bags of lugging and squinting in the light of fall wan to the crumpled under earth card. Something of him- the mixture, his devastating undeniability - the big massive wide solid millstone especially of the indecipherable one now people in their just rubbing thousends alongside now not, jostling together the past head down below... The art work balances races on road and the improvements lost in the presentation of face of value, the big gestures of architecture that belongs to the state, the history of has the some influences of all the sides 200 high histories. I smile with has the multiplicity of children of London newer, invited it in their city of lights of the city and of attractions and the paved crazy. The house gauged exacting bills it that climbs of the covers on Windows another lives of the people as every an if occupied, and I am also, the objective that I would like if the position of and the look sets up because his stunning calm the color -the fireworks on the primrose hill- and the sound- has thousand languages chattering just, doing their worlds to go in round
Laaanguidg is a virus Ooo!
And step, 2, 3,4 turn around!
Le lumières des de que d'aimé de J'ai de la ville et la ville grand crachent, la bousculade et la sensation de l'objectif d'à de pas de correspondant de ne cela bien, qui fait, le fils un la pâte un synchronisé en le chaos du de haut de couleur (surtout gris) et solide (surtout la circulation). Le de pair de fait de l'ai de Je le pair de façon de ma de souterrain de worming les bousculades, le com un Dans d'émerge de l'à de sur de l'anguille un brouhaha du, le souhaité de j'ai d'où de nécessairement de pas si de l'objectif de que d'apparaît de qu'à le là d'est de heureux d'à de goddam de toute façon, les poches de Dans de lugging et louchant la lumière à wan la carte de terre de sous de froissé. Quelque a choisi de lui- le mélange, le fils undeniability dévastant - le grandiose solide grand massif meule surtout du leur de Dans de gens de maintenant d'indéchiffrable le de juste de frottant de thousends longtemps du pas de maintenant, l'ensemble de bousculant la tête passée en diplômes universitaires... Equilibre d'art des cours sur la route et les améliorations ont perdu Dans la présentation du visage de valeur, les grandiose l'état d'à d'appartient de qui de gestes, l'influe de quelques du de l'histoire de tous les côtés 200 histoires haut. Je souris avec un la multiplicité, plus nouveaux Londoniens, un ville de leur de Dans de l'invité de lumières de la ville et et le pavé fou. La maison un calibré exigeant la facture qui monte de l'autres d'une de Windows de sur de couvertures rivalise du si d'une de chaque de com de gens occupé, et je suis aussi, le si de j'aimerais de que de l'objectif la position et la que de parce de fixe d'égard du fils calme stupéfiant la couleur -les feux sur la colline de primevère- et le fils du- un juste de babillant de langues de mille, l'aller de mondes de leurs de faisant en rond
Big Blue Button centered Translate, final time, and: click!
The lights of the of that of magnet of I HAVE city and the city big spit, the crush and the sensation of the objective of no correspondent of not that well, that does, the son one the dough a synchronized one in the chaos of the of top of color (especially gray) and solid (especially the circulation). The of peer of fact of have it of I the peer in a manner of my of underground one of worming the crushes, the com one In of emerges from the to on eel a hubbub of the, the wished of I have from which of necessarily of not if objective of that of appear of that to the there of is of happy one of goddam in any case, the pockets of In of lugging and squinting The light to wan the card of earth of under of crumple. Some chose of him- the mixture, the son undeniability devastating - the grandiose solid massive big millstone especially of the them of In of people of now of indecipherable one it of just one of rub of thousends a long time of the step of now, the body of jostle the past head in university diplomas... Equilibre of art of the courses on the road and the improvements lost In the presentation of the face of value, the grandiose the state of belongs of that of gestures, the influence of some of the history of all the sides 200 high histories. I smile with one the multiplicity of London newer, a city of their of In guest of lights of the city and and the paved crazy. The house an exacting calibre bills it that climbs of the others of an of Windows of on of covers competes of the if of an of every of com of people occupied, and I am also, the if of I would like of that of the objective the position and it that of because of sets up of consideration of the stunning calm son the color -the fires on the primrose hill- and the son of the- a just one of chattering of languages of thousand, to go it worlds of their of fact in round
But wait! The Grande Finale! Yes! People! We have reached a new goal! We have exceeded our gross national limits and have burst vomit thrust to a New World braver, later, neater: A New World English has been born! Observe it's beating limbs before your very prosaic eyes:
{the wool knit tighter under the guise of French, but English, to Spanish, becoming NEW WORLD EINGLIISH}
The lights of the of that of magnet of I HAVE CITY AND THE CITY BIG SPIT, the crush and the sensaciуn of the objectifies of no corresponde of not that well, that hacer, the his one the dough has synchronized one in the caos of the of seсal of color (especially gray) and solid (especially the circulaciуn). The of peer of fact of have it of I the peer in has manner of my of underground one of worming the crushes, the com one In Of emerges from the a one eel has hubbub of the, the wished of I have from which of necessarily of not tejo objectifies of that of appear of that a the there of i' s of happy one of goddam in any puts, The pockets of In of lugging and squinting The light a wan the card of earth of under of crumple. Some thing of him-the mixtura, the his undeniability devastating - grandioso(a) the big maciza solid millstone especially of the them of In of people of now of indecipherable one it of just one of rub of thousends has largo time of the step of now, the leotard of jostle the past head in university diplomas... Equilibrio of arte of the chase one the road and the improvements lost In the presentation of the cara of worth, grandioso(a) the the state of belongs of that of gestures, the influencias of some of the history of all the sides 200 high histories. I smile with one the multiplicity of London newer, has city of their of In Guest of lights of the city and and the paved crazy. The house year exacting gauges bills it that climbs of the others of year of Windows of one of covers competes of the tejo of year of every of com of people occupied, and I am also, the tejo of I would like of that of the objectifies the posiciуn and it that of because of sets up of consideration of the stunning calm his the color-the fires one the primrose hill-and the his of the-has just one of chattering of languages of thousand, a go it worlds of their of fact in asalto
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