NewWorLdLog: buddliabuddleja

Friday, 16 July 2010

buddliabuddleja

Buddleja, often spelled Buddleia (pronounced /ˈbʌdliː.ə/),^[3] is a genus of flowering plants. It is now included in the figwort family, Scrophulariaceae, though in the past was previously classified in either the Loganiaceae or in a family of its own, the Buddlejaceae.

The roughly 100 species are mostly shrubs, a few being trees; the largest species reach 30 m (98 ft) tall, but most species rarely exceed 5 m (16 ft) tall. Both evergreen and deciduous species occur. They are native throughout the warmer parts of the New World from the southern United States south to Chile, and widely in the Old World in Africa and the warmer parts of Asia, but absent as natives from Europe and Australasia. The species are divided into two groups based on their floral type, those in the New World being dioecious, and those in the Old World being monoecious.

The botanic name has been the source of some confusion. By the usual practice of botanical Latin, the spelling of a generic name made from "Buddle" would be "Buddleia". However, Linnaeus wrote it down as "Buddleja", and never changed it, so by the rule of naming priority, "Buddleja" should be preferred, though the i/j interchange could be modernized as an orthographical variant. Even so, the usage is confused, and inconsistencies are common, even within single texts.

Some species are commonly found as escapees from the garden. B. davidii in particular is a great coloniser of dry open ground; in towns in the United Kingdom, it often self-sows on waste ground or old masonry, where it grows into a dense thicket, and it is listed as an invasive species in many areas. It is frequently seen beside railway lines, on derelict factory sites and after the Second World War on urban bomb sites.
Within the United States, it is classified as a noxious weed by the states of Oregon and Washington.

g) Buddleja Davidii Extract
Buddleja Davidii extract contains active ingredients protecting the skin against toxic radicals. It can also help reduce skin aging and protect the skin against the damage caused from stresses and toxins.

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CEP Proposal

Deleuze & Guattari once wrote that “New York is virtually a city without a language...” [from Postulates of Linguistics in A Thousand Plateaus, 1923, pp. 103]. How provocative a statement to make about a city brimming with so many languages, dialects, slang etc. I thought. New York for me has always been, as for so many before me, a city of such artistic prestige and accomplishment, vitality and possibility. It has drawn young artists to its bright lights and wide streets for decades now, and it will continue to. Surely New York is a city without any ‘without’: a city of infinite possibility and opportunity, offering itself to all whom arrive, making them never want to leave, offering everything they need.

But I was too hasty; my argumentative cry against with their provocations would have been quickly silenced, had I read a little further on: “There is no language that does not have intralinguistic, endogenous, internal minorities...” (Deleuze & Guattari, 1923, pp103). But my silence was brought with a smile, with a sense of relief, of assurance. Just as I believe[d], and have argued, New York is a city without a language- without a set, solid and all-conforming ‘language’, but rather a multiplicity of tongue, of variations of the tongue, the lingua franca, of English. New York for me is a prime example of how all languages, exchanged by so many different people from such different places is continually being shaped, changed and modified, mutating every day through common shared discourse and people trying to make sense to each other.

Having been born in one country but then being raised between two countries has brought difficulty when pledging allegiance to either. I have felt neither here nor there, not this nor that. What happens to those who don't feel a part, or feel apart, from their surroundings? They start something new; they seek out new places to live and to start again, afresh. The historical implication of New York City having been built ex nihilo by such a wide group of people(s) having travelled from their Old World in search of the New, ready to build themselves a New life in new contexts has always inspired me to travel and work there, to also become a part of the engagement with the 'new' moving away from the old, the traditional, the conventional, the usual, the obvious. I can see a direct link between this state of mind, towards progression through experimentation, in my journey to art and performance College and my future journey to New York and the USA, to frame my questions around the 'New' within city whose very name and ethos is just that.